From October 25, 2026, to April 11, 2027, UCCA Dune presents “Katie Paterson: Across Deep Time,” the Scottish artist's first institutional solo exhibition in China. Centered on geological time and the Earth's transformations, the exhibition considers humanity’s place within the vast temporal and cosmic scales that shape our existence. Through installations and paintings that combine scientific research, precision technology, and poetic imagination, Paterson gives tangible form to natural processes are both immense and imperceptible, from melting glaciers and the deathsof stars to the cycles of matter. Her work invites us to contemplate the deep histories of the Earth and the universe, and to reconsider our relationship with the natural world.
On the exhibition's first day of public opening, artist Katie Paterson will lead a guided tour with exhibition curator Zhang Yao at UCCA Dune. Moving through the exhibition, they will explore how Paterson begins with a single material or phenomenon and uses it to open up perspectives on geological time and the cosmos. The artist will also introduce the site-specific works created for UCCA Dune, discussing how the light, wind and coastal landscape of Beidaihe have informed their development and become integral to the works themselves.
The following day, Paterson will give a presentation on nearly two decades of artistic practice at the UCCA Beijing Alcove. Informed by research in astronomy, geology, and ecology, her work translates scientific data, materials, and vast timescales into forms as varied as a beam of light, a passage of sound, a scent, or a simple gesture. The presentation will be followed by a conversation with curator Zhang Yao on the sustained research behind Paterson’s work and the ways in which art can engage with phenomena beyond direct observation. From forests and stars to the dust that preceded the formation of the Solar System and geological processes spanning billions of years, the conversation will consider how immense expanses of time and space can be distilled into a single material form or fleeting moment, and how such encounters can reshape our understanding of nature and our place within it.
Exhibition opening programs for “Katie Paterson: Across Deep Time” are specially supported by the British Council.
Katie Paterson
Katie Paterson (b. 1981, Scotland; lives and works in Scotland) holds a BA (Hons) from Edinburgh College of Art and an MFA from the Slade School of Fine Art, London. Paterson collaborates with scientists and researchers across the world on projects that consider our place on Earth in the context of geological time and change. Her artworks use sophisticated technologies and specialist expertise to stage intimate, poetic, and philosophical engagements between people and their natural environment. Combining a Romantic sensibility with a research-based approach, conceptual rigor, and minimalist presentation, her work collapses the distance between the viewer and the most distant edges of time and the cosmos.
Paterson has broadcast the sounds of a melting glacier live, mapped dead stars, compiled an archive of darkness from the depths of the Universe, created a light bulb to simulate moonlight, and sent a recast meteorite back into space. Understated in gesture yet monumental in scope, her work elicits feelings of humility, wonder, and melancholy.
Paterson has exhibited internationally, and her works have been included in major exhibitions at Turner Contemporary, Hayward Gallery, Tate Britain, Kunsthalle Wien, MCA Sydney, Guggenheim Museum, and the Scottish National Gallery of Modern Art. She won the Visual Arts category of the South Bank Awards and is an Honorary Fellow of Edinburgh University.
Zhang Yao
Zhang Yao studied at the Central Academy of Fine Arts from 2008 to 2015, earning a bachelor's degree in Art History and a master's degree in Fine Arts. She joined UCCA Center for Contemporary Art in 2021 and currently serves as Assistant Curator and Project Manager. She lives and works in Shanghai.
Recent exhibitions Zhang has curated include “Improvisational Drift: New Directions in Ceramics” (UCCA Clay, Yixing, 2025); “The Ways of Clay: Select Award-Winning Works from the International Ceramics Festival Mino of the Museum of Modern Ceramic Art, Gifu, Japan” (UCCA Clay, Yixing, 2024); and “World Weather Network – Zhao Xiaoxiao: Cloud Atlas” (theTANG, Qinhuangdao, 2022).
Her co-curated exhibitions include “Raw Modernism: Accolay Clay Today” (UCCA Clay, Yixing, 2026); “Yangyun & Donum Art Festival (Yangyun, Shanghai, 2026); “Ahmed Mater: Antenna” (UCCA Edge, Shanghai, 2025); and “Common Ground: UCCA 15th Anniversary Patrons Collection Exhibition” (UCCA, Beijing, 2022).
As Project Manager at UCCA, she has overseen major exhibitions including “Matisse by Matisse” (UCCA Edge, Shanghai, 2023); and “Modern Time: Masterpieces from the Collection of Museum Berggruen / Nationalgalerie Berlin” (UCCA Edge, Shanghai, 2023); among others.
In addition to her curatorial work, Zhang is a writer whose articles and essays have been published in Wallpaper*, The Art Journal, and Art China.
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