In anticipation of a major exhibition to be held in summer 2015, UCCA invites South African contemporary artist William Kentridge to give a lecture on processes within the studio.
The studio is offered as a space for a rigorous but non-rational coming together of images, ideas, and meanings. Physical thinking—allowing the act of making to be the prompt for ideas which follow—is explored as strategy for creative work in the studio.
William Kentridge proposes the idea of dream work, and the secondary revision of dreams, as analogous to the activities in the studio. Collage is interrogated both as a strategy of making, but also as a metaphoric description of understanding, and is tested in setting different sound and music fragments to different series of film images. Kentridge will also talk about his current works and the making of a flip-book film, Second-hand Reading.
Free, reservation required.
Please call +86 10 57800200 from Tuesday to Friday 11:00-18:00 to book. Please note that you may only book one seat at a time. Members can also book by sending an email to members@ucca.org.cn.
Note:
*Space is limited; no late entry.
*Collect your ticket from the ticket desk 30 minutes before the event begins.
*If you make a reservation but cannot make it to the event, please cancel by calling +86 10 5780 0200.
*Please bring an ID card to rent simultaneous interpretation equipment. Equipment rental is free.
William Kentridge was born in Johannesburg, South Africa, in 1955. He is one of South Africa’s pre-eminent artists, internationally acclaimed for his drawings, films, theatre, and opera productions. His work draws on varied sources, including philosophy, literature, early cinema, theatre, and opera to create a complex universe where good and evil are complementary and inseparable forces.
In 2010 Kentridge received the Kyoto Prize in recognition of his contributions in the field of arts and philosophy. In 2011 he was awarded the degree of Doctor of Literature honoris causa by the University of London and in 2013 received an honorary doctorate from Yale University.
Recently his work has been on view at the Tate Modern in London, Jeu de Paume and Louvre in Paris, La Scala in Milan, Albertina in Vienna, Metropolitan Opera and Museum of Modern Art in New York, and the Pinacoteca do Estado de São Paulo.