UCCA Beijing

“Pipilotti Rist: Your Palm is My Universe” Exhibition Parallel Conversations
She, Universe: Women’s Position in Literature, Sociology and Film Studies

2025.8.30 - 2025.9.20

Conversations
Location:  UCCA Auditorium
Language:  Chinese

Introduction

UCCA Center for Contemporary Art is currently presenting “Pipilotti Rist: Your Palm Is My Universe,” a sensually immersive solo exhibition by the renowned Swiss artist.  Featuring a site-specific commission created specially for the UCCA Great Hall alongside a selection of iconic works, this exhibition extends the artistic experience beyond traditional confines of gallery spaces into the museum’s public areas and less commonly used spaces—an unconventional approach that invites visitors into a playful, open-ended universe of sensory exploration.

Known for her pioneering visual language, Rist transforms representations of the female body into richly layered, multisensory immersive environments. Her work challenges conventional modes of perception and offers a unique lens through which to reexamine the relationship between self and world.

Inspired by Rist’s practice , UCCA presents a parallel series of conversations titled “She, Universe: Women’s Position in Literature, Sociology and Film Studies.” Expanding the exhibition’s reach into broader social sciences and humanities contexts, this program conversation series will invite speakers and audiences to reflect on how women’s lived experiences are expressed,shaped, and empowered through literature, social structures, and cinematic language. Through the convergence of these three fields,  the series aims to deepen our understanding of women’s diverse roles and creative agency within cultural and social structures— collectively charting a more expansive “She, Universe.” The series is curated and hosted by UCCA Public Practice curators Wang Youyou and Wu Yiyao.


Session One

In Her Nature: A New Generation’s Brilliance in Women’s Writing

Speaker: Zhang Li (Professor at the School of Chinese Language and Literature, Beijing Normal University)

Date & Time: 2025.8.30 (Sat) 14:00-15:30

Location: UCCA Auditorium


In the first session of “She, Universe,” UCCA welcomes Professor Zhang Li to deliver a lecture on the contemporary expressions and practices of “new women’s writing.” A leading scholar in the evolving landscape of Chinese women’s literature and gender awareness, she has long focused on the question of what constitutes genuine women’s writing in a meaningful sense—exploring how such literary practices can be cultivated within today’s cultural and social context.

In this talk, Professor Zhang will spotlight the creative characteristics of a younger generation of female writers, examining themes of contemporaneity, everyday life, and artistic experimentation. Topics will include literary practices of post-90s women authors, narrative approaches that transcend traditional binary frameworks, and the literary portrayals of female laborers. Through these lenses, she will explore how women use literature to speak, resist, and articulate complex and authentic experiences.


Session Two

Beyond the Body Proper: Gender/Sexuality in Public

Speaker: Huang Yingying (Professor at the Department of Social Sciences, Director of the Institute for Research on Sexuality and Gender, Renmin University of China)

Date & Time: 2025.9.6 (Sat) 14:00–15:30

Location: UCCA Auditorium


The second installment of “She, Universe” features Professor Huang Yingying. Her talk, titled “Gender/Sexuality in Public,”begins with a critical deconstruction of  “gender” and “sexuality,” using the slash in the title to challenge conventional notions of “women.” This gesture signals an interrogation of the norms and orthodoxies often imposed upon women, and calls attention to sexuality as an integral yet frequently marginalized or regulated facet of female bodily experience and subjectivity.

Drawing on her extensive sociological fieldwork and acute social observation, Professor Huang will analyze the particularities of female embodiment in the Chinese context, tracing both its continuities and transformations across time. Beginning with everyday life and public discourse, she will examine the complex entanglements of gendered power and body politics, and reflect how transgressing boundaries—conceptual, social, and political— can expand the discursive and experiential space for women’s embodied rights and self-expression.


Session Three

The Body in Revolt: Tracing Female Liberation in European Cinema

Speaker: Jiao Rui (PhD in Film Studies; Lecturer, School of Liberal Arts, Renmin University of China)

Date & Time: 2025.9.20 (Sat) 14:00–15:30

Location: UCCA Auditorium 


The third session of the “She, Universe” features film scholar Dr. Jiao Rui, a lecturer at the School of Liberal Arts, Renmin University of China. Her talk will delve into the rich history of female liberation in European cinema. Across generations, women have been key drivers of cinematic innovation. European female filmmakers, in particular, have consistently pushed the boundaries of bodily representation, challenged entrenched gender norms, and pursued the emancipatory potential of selfhood.

In this lecture, Dr. Jiao will trace the work of key women directors in European film history and their milestone works, focusing on how they stage a “revolt of the body”—visual and narrative assertions of women’s bodily autonomy, sexual agency, and social visibility. Here, cinema becomes not just a medium of artistic expression, but also a critical battleground for liberation and a powerful witness to the reassertion of female subjectivity.



About the Speakers

Zhang Li (Professor at the School of Chinese Language and Literature, Beijing Normal University)

Zhang Li is a professor and doctoral advisor at the School of Chinese Language and Literature, Beijing Normal University. She was named one of the “Top Ten Most Beloved Graduate Instructors” in the university’s fifth annual selection. Zhang is the founder and curator of the “Torchbearers: Women’s Literature Booklist” (Chiwei Huozhe), an influential annual list celebrating outstanding women’s writing in China.

Her major publications include The Emergence of Modern Chinese Women’s Writing (1898–1925), Landscapes of Fiction, and Torchbearers. She has also served as editor-in-chief of several important anthologies, including Beijing in a Century of Literature, Birds in Flight and the Underground: Twenty Short Stories of 2024, The Infinite Beyond: Twenty Contemporary Essays of 2024, A Calm Sea: Selected Chinese Women’s Fiction 2024, and With Feeling: Selected Chinese Women’s Essays 2024. 

Zhang is a recipient of the Eighth Lu Xun Literary Prize for Literary Theory and Criticism and the Award for Outstanding Achievements in Chinese Women’s Literature Studies. She currently serves as Deputy Director of the Prose Committee of the China Writers Association and Vice Chair of the Beijing Writers Association.

 

Huang Yingying (Professor at the Department of Social Sciences, Director of the Institute for Research on Sexuality and Gender, Renmin University of China)

 Huang Yingying is a Professor at the Department of Social Sciences, Director of the Institute for Research on Sexuality and Gender, Renmin University of China. Her academic expertise lies in the sociology of gender, sexuality, and the body, as well as interdisciplinary approaches to HIV/AIDS research and qualitative methodologies.

Her major publications include AIDS and the Logic of Everyday Life (2019), Gender, Body, and the Sociology of Story-Telling (2018), On the Scene: A Field Research on Sociology of Sexuality (2017, co-authored), Changes in Sexuality: Chinese Sex Life in the 21st Century (2013, co-authored), On Methodology: Local Practices and Innovations in Sociological Research (2023/2011, co-authored), Sociology of Sexuality (2010, co-authored), and Body, Sexuality and Xinggan (Sexiness): Research on Chinese Women’s Daily Lives (2008).

 

Jiao Rui (PhD in Film Studies; Lecturer, School of Liberal Arts, Renmin University of China)

Jiao Rui is a lecturer and master’s supervisor at the School of Liberal Arts, Renmin University of China. She is a film scholar whose research focuses on film aesthetics, literary and art theory, and cultural studies. She holds a PhD in Film Studies from the THALIM Research Center (Theories and Histories of Arts and Literatures of Modernity), jointly operated by the École Normale Supérieure and Université Sorbonne Nouvelle-Paris 3, and previously earned her degree in Chinese Language and Literature from Peking University.

Her academic works have been published in both domestic and international journals, including Literary and Art Studies, Contemporary Cinema, Film Art, Journal of Chinese Cinemas and more. In addition to her research, she has been actively involved in international film festivals such as the Hainan Island International Film Festival, working to foster cross-cultural dialogue and sustainable exchange within the global film industry.

 

About the Moderators

Wang Youyou (Curator of Public Practice, UCCA)

Wang Youyou is a Curator of Public Practice at UCCA. She holds degrees in Art History from China Academy of Art and the Courtauld Institute of Art, University of London. Since joining UCCA in 2022, she has curated a range of public programs for major exhibitions, including “Modern Time: Masterpieces from the Collection of Museum Berggruen / Nationalgalerie Berlin,” “Lawrence Weiner: A PURSUIT of HAPPINESS ASAP,” “Birdhead: Yun Yun,” and “Mo Yi: Me in My Landscape,”among others.

 

Wu Yiyao (Curator of Public Practice, UCCA)

Wu Yiyao joined UCCA in 2022 and currently serves as a Curator of Public Practice. She is responsible for curating and coordinating public programs across a range of exhibitions, including “Ahmed Mater: Antenna” and “Becoming Matisse” at UCCA Edge (Shanghai), as well as “Anicka Yi: There Exists Another Evolution, But In This One,” “Luc Tuymans: The Past” at UCCA, and the 2024 Shanghai Jing’an International Sculpture Project.

In 2023, she initiated and curated the conversation series “Promenading Comics,” which explores contemporary art practices grounded in the narrative nature of image-text media. Wu holds degrees in French and Art Studies from Nanjing University, and an MA in Art History from the University of Strasbourg, where she received distinction for her master’s thesis.