UCCA Art Cinema and JUE Film Day unite with the Chinese Popular Music Study Group to present a showcase of three films, under the theme “New Wave, the advent of Chinese rock music and globalization”. Each film forms a connection to music and its social background with special emphasis on cultural fusion, in order to generate a discussion on the soundscape of globalization. Following the screenings there will be in-depth discussions featuring music and film industry professionals.
New Wave was global youth’s reaction to the ennui of the Cold War. In China, rock music emerged in connection with this global trend, setting the scene for the events of the late 1980s.
The notion of New Wave was first popularized by French Nouvelle Vague directors to promote their film experiments. By the late 1970s, British New Wave and German Neue Welle began popularizing a hybridized and world-weary sound that fused punk, reggae, post-punk, disco, synth-pop, soul and euro-pop, among other things. The term and its sound also caught on across the Atlantic.
Even though it started as a challenge to the status quo, New Wave helped rock music become mainstream, and was a major catalyst in the globalization of popular music. This extends to China, where an emerging band scene celebrated the thawing of the Cold War after the country started opening up. This shows that even though its significance and impact may vary greatly in different locations, New Wave challenges the conventional division of culture along national boundaries.
We have selected three films to consider the role of New Wave in this transitional period and beyond.
Ticketing & Participation
RMB 60 / Adult (3 Films)
RMB 50 / Adult (3 films, UCCA Members)
RMB 30 / Adult (1 film)
RMB 20 / Adult(1 film, UCCA Members)
Note
* Collect your ticket from reception 30 minutes before the event begins.
* No late entry.
13:30-14:50
Event opening and screening of Wham! in China - Foreign Skies
Wham! In China - Foreign Skies (1986) is a documentary of the British band Wham!’s China visit in 1985, when this New Wave band was among the earliest Western pop groups to perform in the PRC. Next to a debatable impact on music culture in China, the tour and this documentary were part of Wham!’s successful publicity campaign to break the British group in the United States. The shooting and editing of the film not only presents the different atmosphere between the China’s north and south, but also reflects the freshness from an outside observer when confronted with an unknown and mysterious world.
15:20-18:00
The Stuart Hall Project (2013) reconstructs the dynamics of globalization in the second half of the twentieth century through the life of the well-known British cultural theorist Stuart Hall. By using British society as an observing field, Hall’s thoughts provide us a unique reference frame through which to understand the historic significance of rock music as portrayed in the films of that era.
About the Speakers
Moderator:
Liu Fei
Executive Member of Popular Music Study Group
Speakers:
Udo Hoffmann: Director of “Germany and China – Moving Ahead Together” music program
Jeroen Groenewegen-Lau: Second Hand Rose member, Chinese pop music scholar
Zhang Qian: Lecturer, music scholar, Communication University of China
19:00-21:20
Screening of Christiane F. – We Children from Bahnhof Zoo
Christiane F. - We Children from Bahnhof Zoo (1981) portrays the affluent while void and sad living situation of West Berlin’s young generation in the form of follow-up reports, highlighting the centrality of David Bowie and his music to the lives of these youngsters as they cope with growing up during the Cold War. Decades on, the scene may not seem so strange to Chinese people, but the question remains: How this happened and why?
JUE Music + Art Festival
Split Works 开功
Chinese popular music study group