Chen Tianzhuo, born in 1985, graduated from the Central Saint Martins College of Art and Design and Chelsea College of Art and Design in London. Recent exhibitions and works include "Tianzhuo’s Acid Club" in Star Gallery, an outdoor installation for Art Beijing 2014. A collaboration with Shangguan Zhe resulted in the fashion series "Sankuanz 2013" and "Sankuanz 2014," which won over young fans at SH Fashion Week.

Lu Yang, born in 1984, graduated with a major in multimedia from the China Academy of Fine Arts. Her representative works include “Uterusman,” “Underwater Zombie Frog Ballet,” “Krafttremor,” and “The Cruel Electromagnetic Wave Above Absolute Zero,” which are set up as crazy scientific experiments humorously and bizarrely based on the artist’s long-time study of anatomy and biology.

Robin Peckham is a curator and editor living in Hong Kong and Beijing. He founded and operated the independent exhibition space Saamlung until 2013, and has organized exhibitions for institutions including the City University of Hong Kong, the Goethe-Institut, and, most recently, "Art Post-Internet" at the Ullens Center for Contemporary Art. His writing is published regularly in Artforum, LEAP, and Monopol, as well as books for the Minsheng Art Museum, Para/Site Art Space, and Timezone8, including publications on video art pioneer Zhang Peili and architectural interventionists MAP Office. He is on the editorial board of the Journal of Contemporary Chinese Art and is a contributing editor to Randian.

Founded by art collector Wang Bing in early 2014, New Century Art Foundation (NCAF) aims to study and promote Chinese contemporary art. NCAF provides support for Chinese contemporary art outside of the existing art ecology. Through observation, research, and collaboration, NCAF offers multiple platforms to promote the work of young artists.