For this event, UCCA members will enjoy:
• Exclusive seats reservation service
• Members-only guided tour
For UCCA members, please send us your name and mobile number to RSVP (email@example.com) or call UCCA membership hotline: +86 10 5780 0200
13:00-13:20 Ticket pick-up at the reception desk (for UCCA members who RSVPed)
13:20-13:50 Exclusive UCCA members-only guided tour
13:30-14:00 Ticket distribution at the reception desk (for UCCA members who didn’t RSVP and non-members)
14:00-16:00 Screening followed by conversation
Screening (80-90 minutes)
Conversation with Q&A (40 minutes)
*Please arrive promptly.
Yefu Liu (Artist)
Yuan Fuca (Co-founder, Salt Projects)
Howie Chen （C&L )
Moderator: Wang Wenfei (“The New Normal”co-curator)
Laura Parnes is an artist whose work engages strategies of narrative film and video art to blur the lines between storytelling conventions and experimentation. Parnes has screened and exhibited her work in institutions and at film festivals in the US and internationally, including the Institute of Contemporary Art University of Pennsylvania, Philadelphia, PA; the International Film Festival Rotterdam, Rotterdam, Netherlands; Deste Foundation for Contemporary Art, Athens, Greece; LOOP Festival, Barcelona, Spain; Light Industry, Brooklyn, NY; Kunsthalle Winterthur, Winterthur, Switzerland; Overgaden-Institute for Contemporary Art, Copenhagen, Denmark; iMOCA, Indianapolis, IN; Cinematexas, Austin, TX; Contemporary Art Center, Vilnius, Lithuania; Museo Nacional Centro De Arte Reina, Sofia, Madrid; Whitney Museum of American Art, New York, NY; Dunedin Public Art Gallery, Dunedin, New Zealand; MoMA PS1, Long Island City, NY; Miami Museum of Contemporary Art, Miami, FL; and Brooklyn Museum, Brooklyn, NY.
Born in 1959 in Antwerp, Belgium, Alÿs originally trained as an architect. He moved to Mexico City in 1986, where he continues to live and work, and it was the confrontation with issues of urbanization and social unrest in his new country of adoption that inspired his decision to become a visual artist. Throughout his practice, Francis Alÿs consistently directs his distinct poetic and imaginative sensibility toward anthropological and geopolitical concerns centered around observations of, and engagements with, everyday life, which the artist himself has described as "a sort of discursive argument composed of episodes, metaphors, or parables." His multifaceted projects in the varied forms of public actions, installations, video, paintings, and drawings have been the subject of a major survey, A Story of Deception, which was on view from 2010 to 2011 at Tate Modern, London; Wiels Centre d'Art Contemporain, Brussels; and The Museum of Modern Art, New York and MoMA PS1, Long Island City, New York. Over the past decade, he has had several solo exhibitions including the Museum of Contemporary Art, Tokyo (traveled to the Hiroshima City Museum of Contemporary Art, both 2013); Irish Museum of Modern Art, Dublin (2010); The Renaissance Society at the University of Chicago (2008); Hammer Museum, Los Angeles (2007); Hirshhorn Museum and Sculpture Garden, Washington, D.C.; and Portikus, Frankfurt (both 2006).
Patty Chang has held solo shows at institutions such as the MoMA in New York; the New Museum in New York; the Hammer Museum in Los Angeles; the Museum of Contemporary Art in Chicago; and the Moderna Museet in Stockholm, Sweden. In 2009 she was named the Guna S. Mundheim Fellow of Visual Arts at the American Academy in Berlin and she is a 2014 recipient of a Guggenheim Fellowship. Chang’s latest project, The Wandering Lake, was recently featured in the 11th Shanghai Biennial 2016 and will be the focus of a solo show at the Queens Museum in NY in October 2017.
Young-Hae Chang Heavy Industries
YOUNG-HAE CHANG HEAVY INDUSTRIES is yhchang.com. Among the first artists to employ the Internet as an artistic platform in the late 1990s, Young-hae Chang Heavy Industries consists of Marc Voge from the United States and Young-hae Chang from Korea. Based in Seoul, YHCHI have created their signature animated texts set to their own music in 26 languages. Their work has been displayed in major art institutions including Tate, London, Centre Pompidou, Paris, Whitney Museum and New Museum, New York. Young-hae Chang (KR) and Marc Voge (US), the two principals of YHCHI, were recent Rockefeller Foundation Bellagio Center Creative Arts Fellows.
Deborah Stratman is a Chicago-based artist and filmmaker interested in landscapes and systems. Much of her work points to the relationships between physical environments and human struggles for power and control that play out on the land. Recent projects have addressed freedom, expansionism, surveillance, sonic warfare, public speech, ghosts, sinkholes, levitation, propagation, orthoptera, raptors, comets and faith. She has exhibited internationally at venues including MoMA NY, Centre Pompidou, Hammer Museum, Mercer Union, Witte de With, the Whitney Biennial and festivals including Sundance, Viennale, CPH/DOX, Oberhausen, Ann Arbor, Full Frame, Rotterdam and Berlinale. Stratman is the recipient of Fulbright, Guggenheim and USA Collins fellowships, a Creative Capital grant and an Alpert Award. She lives in Chicago where she teaches at the University of Illinois.
Born in 1982, lives and works in Tainan. Su Yu-Hsien studied at the Graduate Institute of Plastic Arts, TNNUA. In 2011, his works were presented at “The Heard and the Unheard Soundscape Taiwan” at the Taiwan Pavilion at the 54th Venice Biennale. In 2007, Su was awarded the Kaohsiung Award and the Taipei Arts Award’s first prize. His latest work was Hua-Shan-Qiang in 2013.
WMSS (Wild Magic Salt Solution)
WMSS (Wild Magic Salt Solution) is a moving-image collective, joining art practitioners based between New York and Beijing. Working in different capacities within the art world as curator, critic, or artist, WMSS is informed by a diversity of positions and interests directed towards moving-image. Through curated screenings, exhibitions, and events, WMSS explores the commonalities and differences shared by practitioners influenced by moving-image and video art from both China and US, in relation to the greater contemporary art field. A common departure point guiding the project is a shared interest in moving away from institutionalized structures that are often rigid in their expression, focusing more on the fluidity of communal interests and collective movements formed around visual and time-based forms of culture. WMSS collective is a shared network that brings together curators Howie Chen and and Andrew Lampert (C&L, Anthology Film Archives), artist Yefu Liu, curator Billy Tang, and Yuan Fuca and Liya Han from Salt Projects.