Director: Michael Madsen
Region: Denmark
Year of Production: 2010
Running Time: 75min
Every day, the world over, large amounts of high-level radioactive waste created by nuclear power plants is placed in interim storages, which are vulnerable to natural disasters, man-made disasters, and to societal changes. In Finland the world's first permanent repository is being hewn out of solid rock - a huge system of underground tunnels - that must last 100,000 years as this is how long the waste remains hazardous.
Once the waste has been deposited and the repository is full, the facility is to be sealed off and never opened again. Or so we hope, but can we ensure that? And how is it possible to warn our descendants of the deadly waste we left behind? How do we prevent them from thinking they have found the pyramids of our time, mystical burial grounds, hidden treasures? Which languages and signs will they understand? And if they understand, will they respect our instructions?
While gigantic monster machines dig deeper and deeper into the dark, experts above ground strive to find solutions to this crucially important radioactive waste issue to secure mankind and all species on planet Earth now and in the near and very distant future. Captivating, wondrous and extremely frightening, this feature documentary takes viewers on a journey never seen before into the underworld and into the future.
Grand Prize”Visions du Reel (Switzerland) 2009
Grand Prix, Fife (France) 2010
IDFA Green Screen Award, IDFA 2010
Best Nordic Documentary” Nordisk Panorama 2010
Best International Film” Antenna International Documentary Film Festival (Australia) 2011
Best International Film Feature Film, Film Ambiente International Environmental Film Festival (Brazil) 2011
Best of Festival” Wild & Scenic Film Festival (USA) 2012
Michael Madsen was born in 1971. He is a director of several documentaries a.o. the Award-winning To Damascus – a Film on Interpretation (2005) and founder and artistic leader of the Sound/Gallery, a 900 square meter sound diffusion system underneath the Town Hall Square in Copenhagen, Denmark (1996-2001). Selected art projects include: Audience (van Gogh#7), design of SPOR 2007, festival for new music and sound art; and Public Service (van Gogh#6) Phase 1: Idea and concept for a new music library in Odense, Denmark. In addition, Michael has been guest lecturer at a.o. The Royal Danish Academy of Art, The Danish Film School, and The Danish School of Design.