Spring arrives in full bloom as the city welcomes the Garden Expo. As a key component of the 15th China (Wenzhou) International Garden Expo, the highly anticipated “Environmental Art Sub-venue (Longwan District): Chinese Pose, Splendor Unfolds” will open to the public on April 15 and run through July 25 at the Chinese Pose Huangshishan Sculpture Park and China Eye Valley in Longwan District, Wenzhou
The China International Garden Expo is the nation’s premier and most representative exhibition for thelandscaping and horticulture industry, renowned for its scale, influence, and international reach. Jointly organized by the Ministry of Housing and Urban-Rural Development and provincial governments, it represents one of China’s most significant platforms for landscape and urban development. As the only art-focused sub-venue of this year’s Garden Expo, the Longwan presentation is curated by UCCA Lab, a creative platform under UCCA Center for Contemporary Art, one of China’s leading institutions for contemporary art.
Themed "Chinese Pose, Splendor Unfolds," this sub-venue brings together landscape art, public art, and urban space in a multifaceted dialogue. Taking the ecological canvas of Huangshishan as its foundation and drawing inspiration from the strengths of its vision and eye-care industry, Longwan bridges natural landscape with visual technology. Through an innovative integrated “city-garden”model Longwan is crafting an "everlasting visual art museum" for all ages.
Symphony of Visions: A Dual Narrative of "Mountain-Sea Imagery" and "Future Vision"
Within the broader framework of this year’s Expo, the Longwan sub-venue assumes a distinctive role. Spatially conceived around two core sites—Chinese Pose Huangshishan Sculpture Park and China Eye Valley—it merges art, technology, and nature. A 3.5-kilometer art trail traces a spatial progression from natural landscapes to future-oriented industries.
Chinese Pose Huangshishan Sculpture Park: Reconnecting with the Sensory Experience of Nature
As the city's ecological foundation, the Huangshishan area foregrounds a symbiotic relationship between people and nature. Here, art installations serve as “interventions” that foster new ways of engaging with the landscape, encouraging visitors to rediscover their sensory connections with terrain, water, and natural textures while moving through the mountains and overlooking the sea.
China Eye Valley: Visual Practices at the Intersection of Art and Technology
In contrast to the natural setting of Huangshishan, the China Eye Valley exhibition area builds upon Longwan's strengths in the vision and eye-care industries. Through creative interpretations of optical principles and perceptual mechanisms, spaces dedicated to technological research and development are transformed into experimental sites for artistic exploration. Here, “seeing” extends beyond a technical inquiry to become a tangible aesthetic experience.
Diverse Collaborations: 11 Artists/Groups Present Global Vision and Local Resonance
This sub-venue brings together 11 artists and collectives from China and abroad, presenting a series of large-scale art installations across the exhibition sites. Spanning a range of media, including monumental inflatable works, interactive light-based installations, and algorithmically generated works, the presentationreflects a broad spectrum of artistic approaches. Among them are 6 newly commissioned site-specific works, with several making their debut in China. Together, these works create a dynamic artistic journey that connects Eastern and Western cultural perspectives and contexts.
Public Acess for All Ages: Over 30 Public Activities Illuminate the "People's Expo"
To further advance the vision of the “People's Expo” and integrate art into everyday urban life, the sub-venue offers a richlineup ofover 30 public programs designed forall age groups throughout the exhibition period. Running from April to July, the programs unfold across four themes that aim to transform artistic experiences into part of the city’s daily rhythm.
A Continuously Evolving Legacy: Building a New Urban Cultural Ecosystem
The Longwan Environmental Art Sub-venue is a signature project of the 15th Garden Expo and a new starting point for Longwan's urban cultural development. Its opening marks a milestone in bringing art into the fabric of everyday life, moving beyond institutional spaces. . By introducing internationally informed curatorial and operational models, Longwan is transforming “public art” into a replicable and sustainable urban experience.
As a prelude, Longwan will launch a 5-year “Public Art Season” initiative, extending the project from a 3-month event into a long-term program of sustained development. The “visual art museum” is envisioned as an ever-evolving platform that grows over time. From April 15 to July 25, 2026, the public is warmly invited to visit Longwan, experience the symphony of art and the city, and share in the fruits of the Garden Expo.
Claudia Comte
Claudia Comte (b. 1983, Grancy) is a Swiss artist based in Basel, Switzerland. Working across site-specific installation, painting and sculpture, her practice is guided by a longstanding interest in teasing out the history and memory of biomorphic forms through traditional hand processes, industrial and machine technologies. At the heart of Comte’s installations are monumental wall paintings and serial sculptures inspired by organic patterns and morphology such as waves, sonar, cacti, and rock strata, that are playfully recomposed within fluid and immersive environments.
Fn Media Lab
Founded in Shanghai in 2019, Fn Media Lab is an international art collective bringing together artists, researchers, directors, creative programmers, and visual practitioners. The name “Fn” comes from the function key on a computer keyboard—an abbreviation of “Function”—and points to the collective’s ongoing exploration of how art can be transformed and recontextualized within public visibility and shared environments. The team works across the creation of new media art and exhibition-making, with projects often taking the form of interactive moving image, immersive environments, generative systems, and kinetic installations. Spanning concept development through to execution, the collective’s practice is rooted in experimentation with both software and hardware, while remaining attentive to the shifting landscape of digital creative tools.
semicolonC
Founded in 2018 and currently based in Shanghai, semicolonC engages in creative programming, audiovisual performance, interactive installations, generative visuals, and multimedia stage lighting installations. Committed to breaking the boundaries and exclusivity of digital art, the team seeks to transform computer-generated language from cold rational products into vehicles for creating generative visuals and sensory “ichi-go ichi-e” (a once-in-a-lifetime encounter) through the infinite variations of computer-generated art.
Its solo exhibitions include: Sound Prism +(semicolonC solo exhibition at Powerlong Museum, Shanghai, 2020); Stopped Kaleidoscope(semicolonC debut solo exhibition at Shenzhen Increment Art Museum, Shenzhen, 2022); Burning Incense (DreamVideo Video Unit at West Bund Art & Design, Shanghai, 2022). Group exhibitions participated in include: Spiral (Futian Exhibition Area, Shenzhen International Light and Shadow Art Season, Shenzhen, 2022); Constructing Images (Jebumgang Art Center, Lhasa, 2023); Sound Prism 3.34 (Yunnan Provincial Museum, Yunnan, 2023); Repaying Kindness with Kindness(Nantong Art Museum, Nantong, 2024).
Ivo Schoofs | Kinetic Humor
Movement is the essence of life. The origin of movement can be various; the result is infinite. Shapes and emotions are formed by the movement of the underlying elements. The work of Ivo Schoofs (1972) is a celebration of movement in its most natural occurrence; based on natural and physical phenomena, gravity, heat, light, friction, and wonder. The work offers the spectator(s), through large-scale audio-visual installations, an experience to return to the base of the forces of natural movement. Technology and science are made visible and sometimes, if possible, comprehensive. The black boxes are opened, the oil can be smelled, and the gears are rotating. New sensory experiences and insights are formed upon a base of nature itself.
Lei Lei
Lei Lei, Director and experimental moving-image artist, was born in Jiangxi Province, China in 1985. Since 2017, Lei has taught at California Institute of the Arts (CalArts) in Los Angeles (Experimental Animation Program). In 2018, Lei served as a jury member for the Academy Awards’ Animated Feature and Short Film categories. Lei’s practice is rooted in the sorting and research of found images and footage, integrating digital filming, deconstructive collage, and poetic reconfiguration to weave diverse materials—such as found footage, oral histories, internet fragments, myths, and legends—into visual essays and poetic works. Lei’s artistic practice spans moving images, live music, and theater. Lei Lei’s independent films have been repeatedly selected for major international film festivals including Berlin, Rotterdam, Melbourne, and Hong Kong, winning multiple awards.
Liu Yi
Professor, artist, public art curator, founder of “Bird Song Radio,” and the 956th speaker of Yixi. Liu Yi is the Director of the Public Art and Design Lab at Shanghai Institute of Innovation and Creative Design; Visiting Professor at the College of Design and Innovation, Tongji University; Council Member of Shanghai Creative Design Workers Association. Through creations in painting, sculpture, installation, video, and performance, Liu explores themes and relationships such as body and space, spirit and matter, individual and public, and the locality versus abstraction of culture. Liu is also interested in the narrative relationship between digital media, materiality, and creative themes, producing numerous two-dimensional or spatial artworks contextualized in daily life and social scenes.
Li Zhongwei
Li Zhongwei is Associate Professor at Shanghai Jiao Tong University; Founder and Creative Director of Lab D+H SH. Recipient of the title “Top Ten Outstanding Young Landscape Architects in Shanghai”; Li serves as a global judge for the WLA Awards. With 13 years of experience in landscape planning and design, Li practiced at several international avant-garde firms after graduating from the University of Pennsylvania. In recent years, projects led by his team have won over 10 international awards, including the 2020 American Society of Landscape Architects (ASLA) National Award. He has directed or participated in more than 30 landmark public construction projects.
Shen Lieyi
Born in Hangzhou in 1969, Shen Lieyi is currently Professor and Doctoral Supervisor at the School of Sculpture and Public Art, China Academy of Art. Shen also serves as a member of the Academic Committee of Shanghai Urban Space Art Season, Standing Director of the Chinese Sculpture Institute, and Vice President of the Zhejiang Sculpture Institute. Shen Lieyi is an expert in integrating natural and daily elements into the material, space and concept of sculpture arts and turning personal experience into the artistic expression of life insights, and he integrates his plain worship and love of the natural world into the consciousness of life. His creation is invariably intertwined with the universe harmoniously.
Shan Xiaoming
Shan Xiaoming is a symbol artist born in 1991 and a graduate of Central Saint Martins, London. His practice spans painting, installation, sculpture, spatial work, and fashion, constructing a visual language around consciousness, nature, and states of life through his original “energy symbol system.”He initiated the art IP ENERTEN EVERYWHERE, proposing the concept that “everything can be symbolic,” bringing art into everyday life. He has received honors including the Central Saint Martins Press Show Special Creative Award (the only Chinese recipient), Vogue Italia Top 10 Designers of the Year, and Robb Report Design Pioneer of the Year. His works have been exhibited at institutions such as PSA and Powerlong Museum, collected by museums and public spaces, and featured in collaborations with international brands including Galeries Lafayette, PINKO, and MGM.
Wade and Leta
Wade and Leta (Wade Jeffree and Leta Sobierajski) are a collaborative artistic duo based in New York, USA. Their multidisciplinary practice spans sculpture, painting, installation, and spatial design, characterized by bold graphic clarity and an unwavering spirit of radical optimism. Their shared life fuels an interconnected practice where color, form, and experience move freely between daily living and creative output. Together, they continue to explore how color, form, and space can merge and bring music to your eyes.
Wang Tianxin
Born in 1986, currently living and working in Shanghai. His art spans installation, painting, video, and theatrical performance. He specializes in using media such as image reconstruction, intelligent algorithmic editing systems, and automated theatrical machines to explore and reflect on the imagined boundaries between media technology, electronic theater, and social sculpture. His works consistently contemplate how technology shapes and influences human ways of being and existential states, as well as the worrying future under the shadow of modernity’s passing.
Wang Tianxin has held solo exhibitions at chi K11 Art Museum (Shanghai) and Modern Art Museum (Shanghai), and exhibited at venues including Power Station of Art (Shanghai), CAFA Art Museum (Beijing), Shanghai Urban Space Art Season, TAG Art Museum (Qingdao), Aurora Museum (Shanghai), Jinan Art Museum, Times Art Museum, Paichai University (South Korea), Kochi University (Japan), and Korean Cultural Center.
His public artworks have been commissioned or permanently collected by entities including Lujiazui Riverside (Shanghai), Fuxing Island (Shanghai), Liangrang Art District, World Internet Conference, Elephant Art District (Hefei), Turing Square (Shanghai), Yingyue Lane (Wuxi), and Chao Le City (Yanguan).
Organizer: Longwan District People's Government, Wenzhou City
Co-Organizers: Wenzhou Longwan District Comprehensive Administrative Law Enforcement Bureau,
Wenzhou Eye Health Industry Investment and Construction Co., Ltd., Wenzhou EYE Valley Town Operation and Management Co., Ltd.
Curation:UCCA Lab
Artists (Listed in alphabetical order by surname):
semicolonC, Fn Media Lab, Claudia Comte, Lei Lei, Li Zhongwei, Liu Yi, Shan Xiaoming, Shen Lieyi, Wang Tianxin, Wade and Leta, Ivo Schoofs (Kinetic Humor)
Project Producer
Caroline Wu
Art Director
Shirley Liu
Chief Curator
Yoojin Tang
Executive Producer
Tiana Tian
Executive Coordinator
Dou Ding
Technical Team
Wang Shangyuan, Shi Yao
Communications and Events Team
Li Fanqi, Zhu Xiaojing, Fang Xiaoran, Yang Jayun
Operations Coordination
Zhang Yang
Merchandise Development Team
YangXin, Zhengzhou Xiangxiang Cultural and Creative Co., Ltd.
Visual Application and Material Design
Transwhite Studio(Yu Qiongjie, Xia Yuanyuan, Wang Keqing, Ma Haoming), Li Sihui, Xiong Haihui
Project Construction
Shanghai Wang Jianghao Sculpture Art Studio, Makernet Technology (SHENZHEN) Co., Ltd.
Operational Cooperation
Shanghai Hello Puhui Technology Co., Ltd.
Public Programs Partners (Listed in alphabetical order by surname)
#fff Food Design Studio, abC, BLC Cycling Club, Brigitte Van Hagen, Cai Shuang, Chen Ming, DONG JING, Wen Zhou Ge You Hui, Jiang Ruichao, Kévin Savary, UnoccupiedD, lululemon, UCCA Kids, Victorine Pasman, Wang Zongsheng, Wenzhou Bike Development Association, Jiesheng Bike, LAB BIKE, Artbirds Union, Dream Creating Carriage
Acknowledgments
Consulate General of the Kingdom of the Netherlands in Shanghai